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A Streetcar Named Desire
A Streetcar Named Desire
1951 ·125 min ·United States of America ·PG 12+
8.8
IMDb 7.9 КП 7.9 RT 97% MC 97
Drama, Thriller
Director: Elia Kazan
🎭 Based on «A Streetcar Named Desire» byTennessee Williams
Trailers A Streetcar Named Desire

A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.

Budget: $1.8M
Worldwide: $8M
Vivien Leigh
Actor
Marlon Brando
Actor
Kim Hunter
Actor
🏆 Academy Awards 1952 — Best Supporting Actor
🏆 Academy Awards 1952 — Best Supporting Actress
🏆 Golden Globe 1952 — Best Supporting Actress
🎬 Academy Awards 1952 — Best Director
🎬 BAFTA 1953 — Best Picture
🏆 Golden Globe 1952 — Best Supporting Actress
🎬 Golden Globe 1952 — Best Picture (Drama)
🏆 Venice Film Festival 1951 — Special Jury Prize
🏆 BAFTA 1953 — Best British Actress
🎬 Academy Awards 1952 — Best Sound
🏆 Academy Awards 1952 — Best Actress
🎬 Academy Awards 1952 — Best Picture
🏆 Academy Awards 1952 — Best Production Design (Black and White)
🎬 Venice Film Festival 1951 — Golden Lion
🎬 Academy Awards 1952 — Best Cinematography (Black and White)
🎬 Academy Awards 1952 — Best Score for a Drama or Comedy
🎬 Golden Globe 1952 — Best Actress (Drama)
🎬 Academy Awards 1952 — Best Costume Design (Black and White)
🎬 Academy Awards 1952 — Best Adapted Screenplay
🏆 Venice Film Festival 1951 — Volpi Cup – Best Actress

A Streetcar Named Desire is widely regarded as a cinematic masterpiece that successfully translates its theatrical origins into a tense, emotionally harrowing experience. The film is defined by the electrifying, contrast-heavy performances of Vivien Leigh and Marlon Brando, though audience reactions to the characters' morality remain deeply divided.

Acting Vivien Leigh and Marlon Brando deliver powerful, industry-defining performances that anchor the film's intense psychological conflict.
Adaptation The film excels as a faithful adaptation that successfully preserves the claustrophobic tension and brutal atmosphere of Tennessee Williams' original play.
Direction The direction effectively utilizes the unity of place to immerse viewers in the characters' emotions and heighten the sense of mounting desperation.
Emotion Opinions on the lead characters are divided: some viewers feel profound empathy for Blanche’s fragile state, while others find her arrogance and manipulative behavior difficult to sympathize with.
Pacing The film's relentless focus on brutal realism and the unpleasantness of its central conflicts makes for a challenging viewing experience that some find difficult to finish.
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