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Andrei Rublev
Andrei Rublev
Андрей Рублёв
1966 ·183 min ·Soviet Union ·R 18+
8.3
IMDb 8.0 КП 8.2 RT 96%
Drama, History
Director: Andrei Tarkovsky
Trailers Andrei Rublev
Trailer EN
Trailer EN

An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.

Budget: $1.3M
US Gross: $124,189
Worldwide: $24,173
Anatoliy Solonitsyn
Actor
Ivan Lapikov
Actor
Nikolay Grinko
Actor
🏆 Cannes Film Festival 1969 — FIPRESCI Prize

Andrei Rublev is widely considered a monumental masterpiece of world cinema that functions as an immersive, emotionally taxing meditation on art, faith, and the human condition in medieval Russia. While almost all viewers acknowledge its profound visual power and thematic weight, a small minority finds the experience punishingly bleak, slow, or disconnected from their expectations of traditional narrative.

Cinematography The cinematography, featuring Vadim Yusov’s lush landscapes and evocative close-ups, creates a uniquely tactile and atmospheric vision of the 15th century.
Acting Anatoly Solonitsyn’s performance anchors the episodic structure, effectively portraying the internal evolution of a spiritual seeker.
Theme The film’s thematic depth successfully bridges the gap between historical brutality and the transcendent power of artistic creation.
Runtime The lengthy three-hour runtime is a point of contention: many find the contemplative, non-linear tempo essential to the film's cathartic impact, while others perceive it as tedious and exhausting.
Pacing Reception of the film’s narrative approach is divided; proponents view the episodic, realistic depiction of medieval life as a spiritual trial, while critics find the lack of conventional dynamism alienating and depressing.
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