Trailers
Description
Set in a near-future world where there is no privacy, ignorance or anonymity, our private memories are recorded and crime almost ceases to exist. In trying to solve a series of unsolved murders, Sal Frieland stumbles onto a young woman who appears to have subverted the system and disappeared. She has no identity, no history and no record. Sal realizes it may not be the end of crime but the beginning. Known only as 'The Girl', Sal must find her before he becomes the next victim.
Starring
Awards
Key opinion
Anon is a visually sleek, noir-inspired sci-fi thriller that presents a compelling concept regarding privacy and memory in a surveillance state. However, the film is largely hindered by a predictable mystery, a weak screenplay, and a lackluster conclusion that fails to fully realize the potential of its high-concept world.
| Production | Andrew Niccol creates a visually elegant and minimalist aesthetic that effectively captures a cold, detached surveillance-heavy future. | |
| Acting | Clive Owen and Amanda Seyfried deliver competent, professional performances, though some viewers find their characters underutilized or underdeveloped. | |
| Originality | The film features a provocative and intriguing premise involving total memory transparency that successfully engages the audience. | |
| Screenplay | The mystery and plot development divide viewers, with some finding the investigative narrative tense and compelling, while others label it predictable and sluggish. | |
| Pacing | The pacing and structural progression are subject to debate; supporters find the contemplative, dialogue-sparse style appropriate for its genre, while critics find the film boring and slow. | |
| Ending | The conclusion of the film is broadly viewed as a disappointment, with many finding the payoff to be cheap, forced, or unable to sustain the intrigue of the setup. |