Trailers
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Description
In the late 1950s and early '60s, artist Walter Keane achieves unbelievable fame and success with portraits of saucer-eyed waifs. However, no one realizes that his wife, Margaret, is the real painter behind the brush. Although Margaret is horrified to learn that Walter is passing off her work as his own, she is too meek to protest too loudly. It isn't until the Keanes' marriage comes to an end and a lawsuit follows that the truth finally comes to light.
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Key opinion
Big Eyes is widely praised for its vivid 1950s aesthetic and the compelling lead performances by Amy Adams and Christoph Waltz. While many viewers appreciate this departure from Tim Burton's usual gothic style, critics remain divided on whether the film offers enough emotional depth to match its visual flair.
| Acting | Amy Adams anchors the film with a radiant, vulnerable, and ultimately powerful performance. | |
| Production | The film successfully captures a vibrant, 1950s-era visual style that feels both kitschy and painterly. | |
| Theme | The tone is divided between an effective, light-hearted biopic and a shallow treatment of a serious subject. | |
| Acting | Christoph Waltz's performance is either a brilliant, charismatic counterpoint to Adams or an overly cartoonish, farcical distraction. | |
| Ending | The courtroom finale is criticized as an abrupt, overacted, or overly farcical conclusion to an otherwise grounded story. |