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Bowling for Columbine
Bowling for Columbine
2002 ·120 min ·Canada, Germany, United States of America ·R 16+
8.5
IMDb 8.0 КП 7.7 RT 95% MC 72
Documentary, Drama
Director: Michael Moore
Trailers Bowling for Columbine

This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist's Cookbook to the murder of a six-year-old girl by another six-year-old. Bowling for Columbine is a journey through the US, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

Budget: $4M
US Gross: $21.58M
Worldwide: $35.56M
Michael Moore
Actor
Charlton Heston
Actor
Marilyn Manson
Actor
🏆 Academy Awards 2003 — Best Documentary Feature
🏆 San Sebastián International Film Festival 2002 — Audience Award
🏆 Cannes Film Festival 2002 — 55th Anniversary Prize (Cannes)
🎬 Cannes Film Festival 2002 — Palme d'Or
🏆 César Awards 2003 — Best International Feature Film

Bowling for Columbine is a highly provocative and influential documentary that uses Michael Moore’s signature confrontational style to interrogate the roots of American gun violence. While praised for its emotional impact and effective use of archival footage, the film is polarized by its fragmented narrative structure and tendency toward subjective, polemical argumentation.

Emotion The film succeeds as a powerful, emotionally charged exploration of American societal anxieties and the gun-culture epidemic.
Direction The juxtaposition of shocking archival footage, ironic voice-overs, and statistics effectively exposes systemic contradictions.
Acting Moore’s confrontational interview style successfully forces subjects to face difficult questions, often revealing evasion or absurdity.
Screenplay The film's narrative is criticized as a fragmented, incoherent collage that jumps inconsistently between disparate topics.
Theme Viewers are divided on whether the film functions as a necessary, truth-seeking investigation or as biased, speculative political rhetoric.
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