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Bullets Over Broadway
Bullets Over Broadway
1994 ·98 min ·United States of America ·R 18+
8.2
IMDb 7.4 КП 7.3 RT 95%
Comedy, Crime
Director: Woody Allen
Trailers Bullets Over Broadway

After young playwright, David Shayne obtains funding for his play from gangster Nick Valenti, Nick's girlfriend Olive miraculously lands the role of a psychiatrist—but not only is she a bimbo who could never pass for a psychiatrist—she's a dreadful actress. David puts up with the leading man who is a compulsive eater, the grand dame who wants her part jazzed up, and Olive's interfering hitman/bodyguard—but, eventually he must decide whether art or life is more important.

Budget: $20M
US Gross: $13.38M
Worldwide: $37.48M
John Cusack
Actor
Dianne Wiest
Actor
Jennifer Tilly
Actor
🏆 Golden Globe 1995 — Best Supporting Actress
🏆 Screen Actors Guild Awards 1995 — Best Supporting Actress
🎬 Academy Awards 1995 — Best Supporting Actor
🎬 Academy Awards 1995 — Best Screenplay
🎬 Academy Awards 1995 — Best Production Design
🎬 Academy Awards 1995 — Best Costume Design
🏆 Golden Globe 1995 — Best Supporting Actress
🎬 BAFTA 1996 — Best Original Screenplay
🎬 Screen Actors Guild Awards 1995 — Best Supporting Actor
🏆 Screen Actors Guild Awards 1995 — Best Supporting Actress

Bullets Over Broadway is widely celebrated as a sharp, witty, and masterfully cast crime comedy that effectively blends 1920s atmosphere with theatrical satire. While most viewers praise its clever script and strong ensemble performances, some critics find the fragmented narrative structure and pacing to be uneven.

Acting The ensemble cast, particularly Diane Wiest and Chazz Palminteri, delivers standout performances that anchor the film's satirical tone.
Screenplay The screenplay masterfully balances sharp, intelligent humor with a thematic exploration of the compromises inherent in the creative process.
Production The film excels at capturing an immersive, nostalgic 1920s New York atmosphere through its detailed period-appropriate production design.
Pacing The narrative rhythm is divisive: some viewers appreciate the lively, dynamic energy, while others perceive the pacing as disjointed and fragmented.
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