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Bullitt
Bullitt
1968 ·113 min ·United States of America ·PG 12+
8.2
IMDb 7.4 КП 7.2 RT 98% MC 81
Action, Crime, Thriller
Director: Peter Yates
Trailers Bullitt
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Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal's hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.

Budget: $5.5M
US Gross: $511,350
Worldwide: $42.3M
Steve McQueen
Actor
Jacqueline Bisset
Actor
Robert Vaughn
Actor
🏆 Academy Awards 1969 — Best Film Editing
🎬 BAFTA 1970 — Best Cinematography
🎬 BAFTA 1970 — Best Supporting Actor
🎬 BAFTA 1970 — Best Original Score
🎬 Academy Awards 1969 — Best Sound
🎬 BAFTA 1970 — Best Director
🎬 BAFTA 1970 — Best Film Editing

Bullitt is widely recognized as a foundational pillar of the modern police thriller, celebrated for its stylistic influence and technical innovations. While audiences and critics largely laud its iconic car chase and McQueen’s understated performance, some viewers find the plot's procedural logic and character depth to be underdeveloped or dated.

Direction The visceral, high-speed car chase remains an industry-defining benchmark for action choreography and cinematic intensity.
Editing The Academy Award-winning editing serves as the film's technical backbone, creating a tight, methodical rhythm that enhances the procedural atmosphere.
Acting Steve McQueen’s performance is polarizing; supporters praise his subtle, realistic portrayal of a principled loner, while critics perceive his restrained delivery as cold or lacking in expressive depth.
Screenplay The screenplay is a point of contention; many appreciate the realistic, gritty procedural style, but others criticize the narrative for relying on illogical character decisions and thin characterization for secondary roles.
Pacing The film's pacing is viewed by many as a masterclass in building tension through deliberate investigation, though some modern viewers find the tempo slow and the investigative steps somewhat repetitive.
Production While the 1960s aesthetic and jazz-infused score are iconic to many, some viewers find the technical delivery and overall sensory experience to be archaic or uneven by contemporary standards.
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