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Clockstoppers
Clockstoppers
2002 ·94 min ·United States of America ·PG 16+
5.1
IMDb 5.2 КП 5.9 RT 29% MC 40
Adventure, Family, Science Fiction, Thriller
Director: Jonathan Frakes
Trailers Clockstoppers
Trailer EN
Trailer EN

Until now, Zak Gibbs' greatest challenge has been to find a way to buy a car. But when he discovers an odd wristwatch amidst his father's various inventions and slips it on -- something very strange happens. The world around him seems to come to a stop, everything and everybody frozen in time. Zak quickly learns how to manipulate the device and he and his quick-witted and beautiful new friend, Francesca, start to have some real fun.

Budget: $26M
US Gross: $36.99M
Worldwide: $38.79M
Jesse Bradford
Actor
French Stewart
Actor
Paula Garcés
Actor

Clockstoppers is widely viewed as a missed opportunity that squanders a compelling science-fiction premise on a generic, childish execution. While the visual effects of the 'hypertime' sequences are technically impressive, the film is hampered by a shallow script, illogical world-building, and a lack of depth that fails to engage beyond a very young audience.

Cinematography The visual effects depicting hypertime—including frozen water droplets and slow-motion sequences—remain the film's singular standout technical achievement.
The narrative relies on an overused, predictable plot involving a government cover-up that fails to provide any meaningful character development.
Screenplay The scientific premise lacks internal logic, frequently ignoring basic physics and continuity to prioritize simplistic gags over a coherent world.
Humor The humor is consistently described as flat and juvenile, failing to elevate the movie for any audience beyond the primary demographic of pre-teens.
Accessibility The film's reception is split between those who find it a passably entertaining adventure for younger viewers and those who find the execution too childish and underwhelming for a general audience.
Acting Performances are generally considered one-dimensional or merely adequate, failing to capitalize on the high-concept premise or create a compelling atmosphere.
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