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Deep Impact
Deep Impact
1998 ·121 min ·United States of America ·PG-13 16+
6.0
IMDb 6.3 КП 7.0 RT 45% MC 40
Action, Drama, Science Fiction
Director: Mimi Leder
Trailers Deep Impact
Trailer EN
Trailer EN
Teaser Teaser

A seven-mile-wide space rock is hurtling toward Earth, threatening to obliterate the planet. Now, it's up to the president of the United States to save the world. He appoints a tough-as-nails veteran astronaut to lead a joint American-Russian crew into space to destroy the comet before impact. Meanwhile, an enterprising reporter uses her smarts to uncover the scoop of the century.

Budget: $75M
US Gross: $140.46M
Worldwide: $349.46M
Robert Duvall
Actor
Téa Leoni
Actor
Elijah Wood
Actor
🎬 Saturn Awards 1999 — Best Science Fiction Film

Deep Impact is a polarizing disaster film that divides audiences between those who appreciate its human-centric, emotional approach to the apocalypse and those who find it slow, dull, and narratively uneven. While critics and some viewers praise its departure from typical action machismo in favor of dignity and character focus, others criticize its outdated visuals, weak plotting, and failure to generate genuine dramatic stakes.

Acting Morgan Freeman's portrayal of the President provides a central pillar of gravitas and dignity that elevates the film for most viewers.
Culture The film succeeds in depicting Russian characters and their space mission with a refreshing, authentic respect that avoids the xenophobic tropes found in contemporary genre counterparts.
Emotion The narrative prioritizes human drama and emotional stakes over high-octane spectacle, moving some to tears while striking others as pretentious, sluggish, or melodramatic.
Screenplay Opinions on the screenplay are divided: supporters value its focus on interpersonal connections and sacrifice, while detractors argue the plot is disjointed, overly stuffed with subplots, and lacks clear character development.
Production The visual effects and production design are a major point of contention; some find them engaging and effective, whereas others dismiss them as low-budget, outdated, or TV-quality.
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