Trailers
EN
Teaser
Teaser
EN
EN
Description
This psychedelic tour of life after death is seen entirely from the point of view of Oscar, a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda. When Oscar is killed by police during a bust gone bad, his spirit journeys from the past -- where he sees his parents before their deaths -- to the present -- where he witnesses his own autopsy -- and then to the future, where he looks out for his sister from beyond the grave.
Starring
Awards
Key opinion
Enter the Void is a polarizing, immersive visual experiment that uses a first-person perspective to explore themes of death, rebirth, and the Tibetan Book of the Dead. While many praise its technical innovation and psychedelic atmosphere, others criticize its excessive length, lack of traditional narrative, and reliance on graphic, provocative imagery.
| Cinematography | The innovative, immersive first-person cinematography serves as the film's most distinctive and successful technical achievement. | |
| Theme | The narrative draws clear, compelling parallels between the protagonist’s journey and the philosophical tenets of the Tibetan Book of the Dead. | |
| Accessibility | The film functions as a specialized, non-mainstream experience that requires viewers to possess high patience and an openness to abstract storytelling. | |
| Runtime | The three-hour runtime remains a point of contention: supporters find the slow, hypnotic pacing essential for immersion, while detractors view it as tedious, repetitive, and self-indulgent. | |
| Screenplay | Opinions on the screenplay are divided between those who see it as a profound, poetic exploration of mortality and those who dismiss the plot as thin, pretentious, or nonexistent. |