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Ferrari
2023 131 min United States of America, Italy, United Kingdom, Saudi Arabia R 16+
★6.7
History, Drama
Director: Michael Mann
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Description
Set during the summer of 1957. Ex-racecar driver, Enzo Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another.
Budget:
$95M
US Gross:
$18.55M
Worldwide:
$39.22M
Starring
Adam Driver
Actor
Shailene Woodley
Actor
Giuseppe Festinese
Actor
Awards
Venice Film Festival 2023
— Golden Lion
BAFTA 2024
— Best Sound
Screen Actors Guild Awards 2024
— Best Supporting Actress
Key opinion
Michael Mann's Ferrari is a technically accomplished, visually immersive portrait that focuses more on Enzo Ferrari's turbulent personal life and 1957 crisis than on a comprehensive biography of his racing empire. While many critics laud the intense race sequences and strong central performances, others find the narrative disjointed, emotionally thin, and frustrated by its narrow, non-traditional scope.
| Cinematography | The film features high-quality production design and cinematography that expertly capture the vibrant Italian landscapes and visceral, high-stakes intensity of the Mille Miglia race. | |
| Acting | The performances of Adam Driver and Penélope Cruz are polarizing; some viewers find their portrayals nuanced and powerful, while others view them as miscast or emotionally cold. | |
| Screenplay | Opinions on the screenplay are divided: supporters appreciate the narrow, psychological focus on a single crisis year, while detractors argue it lacks a coherent narrative structure and fails to explore Ferrari's professional legacy. | |
| Pacing | The film's pacing is a subject of disagreement, with some finding the meditative, character-driven tempo engaging, while others feel it is monotonous and lacking in dramatic momentum. | |
| Emotion | The emotional impact is inconsistently felt, as many viewers struggle to connect with the characters' domestic conflicts, describing the drama as feeling detached or shallow. |