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Good Time
2017 102 min United States of America R 16+
★7.5
Crime, Thriller, Drama
Director: Benny Safdie, Josh Safdie
Trailers
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Teaser
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Description
After a botched bank robbery lands his younger brother in prison, Connie Nikas embarks on a twisted odyssey through New York City's underworld to get his brother Nick out of jail.
Budget:
$2M
US Gross:
$2.03M
Worldwide:
$3.28M
Starring
Robert Pattinson
Actor
Benny Safdie
Actor
Jennifer Jason Leigh
Actor
Awards
Cannes Film Festival 2017
— Best Original Score
Cannes Film Festival 2017
— Palme d'Or
Key opinion
Good Time is a frantic, anxiety-inducing crime thriller that is widely praised for Robert Pattinson's transformative lead performance and the Safdie brothers' immersive, neon-soaked directorial style. While many viewers find the film an intense and masterfully crafted exercise in tension, others criticize the script for its thin character development and detached, often frustrating narrative experience.
| Acting | Robert Pattinson delivers a career-defining performance that successfully sheds his mainstream star image to embody a desperate, gritty, and morally complex protagonist. | |
| Score | The film utilizes an aggressive, synth-heavy score that effectively heightens the narrative's tension and creates a unique, visceral atmosphere. | |
| Cinematography | The cinematography and visual design employ a harsh, neon-drenched aesthetic that masterfully transforms the urban setting into a reflection of the characters' internal chaos. | |
| Screenplay | The screenplay is polarized: proponents see a compelling, uncompromising study of urban desperation, while detractors view it as a hollow plot with illogical character motivations. | |
| Pacing | The film's pacing creates a divide; many feel the kinetic, high-stress momentum provides a riveting experience, whereas others find it exhausting or struggle to engage with the narrative's uneven development. | |
| Emotion | The emotional engagement is divisive, with some finding the characters' plight deeply sympathetic and others feeling entirely alienated by their amoral choices and the film's lack of traditional resolution. |