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Description
A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captain Phillippe D'Arnot discovers the man who thinks he is an ape. Evidence in the tree house leads him to believe that he is the direct descendant of the Earl of Greystoke, and thus takes it upon himself to return the man to civilization.
Starring
Awards
Key opinion
Greystoke: The Legend of Tarzan, Lord of the Apes is a visually ambitious and grounded adaptation that excels in its immersive, nature-focused first half. However, the film struggles to maintain its momentum, with a second act that divides audiences due to its clunky pacing and departure from the spirit of the original source material.
| Production | The film’s makeup design and jungle sequences establish a high standard of realism that remains the highlight of the production. | |
| Cinematography | John Alcott’s cinematography masterfully captures the jungle environment, providing a visceral and immersive visual experience. | |
| Ralph Richardson delivers a warm, compelling performance that provides emotional depth to the protagonist's integration into human society. | ||
| Pacing | The transition from the gripping jungle upbringing to the slow-paced, melodramatic English aristocratic segment creates a disjointed viewing experience. | |
| Screenplay | The screenplay is criticized for being clunky and drifting away from the core spirit of the Burroughs novels, particularly in its portrayal of human society. |