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Hatchet II
Hatchet II
2010 ·85 min ·United States of America ·R 18+
5.3
IMDb 5.5 КП 4.9 RT 43% MC 49
Horror, Comedy, Thriller
Director: Adam Green
Trailers Hatchet II

Picking up right where the original ended, Marybeth escapes the clutches of the swamp-dwelling killer Victor Crowley. After learning the truth about her family’s connection to the hatchet-wielding madman, Marybeth returns to the Louisiana swamps along with an army of hunters to recover the bodies of her family and exact the bloodiest revenge against the bayou butcher.

Budget: $2.5M
US Gross: $52,604
Worldwide: $156,190
Danielle Harris
Actor
Kane Hodder
Actor
Tony Todd
Actor
🏆4 nominations total

Hatchet II is a polarizing slasher sequel that strictly adheres to the "more is more" philosophy, trading the original's tonal balance for intensified, graphic violence. While niche genre enthusiasts appreciate the practical effects and franchise continuity, many critics find the film hampered by a thin plot, uneven performances, and an over-reliance on absurd humor that undermines its horror elements.

Editing The practical gore effects and inventive kill sequences provide the visceral spectacle expected by dedicated slasher fans.
Acting Tony Todd’s commanding screen presence provides a necessary anchor, standing out as the highlight of an otherwise weak ensemble cast.
Production The film is visually and narratively inconsistent, with many viewers finding the production quality cheap and the storytelling shallow.
Humor The shift in tone is divisive; some appreciate the abandonment of the first film's comedic balance for a darker, more serious approach, while others argue the attempts at black humor result in a tonal mess that dilutes the horror.
Pacing The pacing is a point of contention, as the film alternates between long, sluggish stretches of exposition and abrupt, rushed sequences that fail to build genuine tension.
Screenplay Opinions on the screenplay are split: some find the direct continuity and expansion of the killer's origin mythos satisfying, while many others dismiss the plot as formulaic, repetitive, and plagued by nonsensical character logic.
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