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How to Train Your Dragon: The Hidden World
How to Train Your Dragon: The Hidden World
2019 ·104 min ·United States of America ·PG 6+
8.1
IMDb 7.4 КП 7.8 RT 90% MC 71
Animation, Family, Adventure
Director: Dean DeBlois
📖 Based on the novel «How to Train Your Dragon» byCressida Cowell
Trailers How to Train Your Dragon: The Hidden World
Trailer EN
Trailer EN
Trailer EN
Trailer EN

As Hiccup fulfills his dream of creating a peaceful dragon utopia, Toothless’ discovery of an untamed, elusive mate draws the Night Fury away. When danger mounts at home and Hiccup’s reign as village chief is tested, both dragon and rider must make impossible decisions to save their kind.

Budget: $129M
US Gross: $160.95M
Worldwide: $539.99M
Jay Baruchel
Actor
America Ferrera
Actor
F. Murray Abraham
Actor
🎬 Golden Globe 2020 — Best Animated Feature
🎬 Saturn Awards 2019 — Best Animated Feature
🎬 Academy Awards 2020 — Best Animated Feature

How to Train Your Dragon: The Hidden World is widely regarded as a visually stunning conclusion to the trilogy that offers a deeply emotional and satisfying farewell to its main characters. While the technical artistry and the bond between Hiccup and Toothless receive high praise, critics are divided over the narrative, with some finding the plot clichéd and the villain underwhelming compared to previous installments.

animation The animation quality is consistently superb, featuring meticulous detail in character design and atmospheric environments.
Ending The film succeeds in delivering a poignant and well-executed emotional resolution for the long-running series.
Theme The main character arcs for Hiccup and Astrid reach a satisfying and earned culmination.
Originality The villain character receives conflicting reactions, with some praising his unique design and others dismissing him as generic and lacking clear motivation.
Screenplay Opinions on the screenplay are divided; some find the story a heartfelt progression of the franchise, while others criticize it for being superficial, clichéd, or underdeveloped.
Screenplay The secondary characters are consistently criticized for being reduced to static stereotypes with minimal screen impact.
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