Trailers
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Description
Young-goon, mentally deranged and frequently electro-charging herself with a transistor radio, has been admitted into a mental institution. Firmly believing herself to be a cyborg, she refuses to consume like a human being. Il-soon is another patient, who catches the eye of Young-goon and soon becomes a close friend. Il-soon is now confronted with the biggest task: to cure Young-goon's mental problem and have her eat real food.
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Awards
Key opinion
Park Chan-wook’s departure from his usual violent thrillers is a visually inventive, surrealist fable about love and alienation within a psychiatric ward. While praised for its whimsical charm and profound social critique, the film’s heavy reliance on abstract symbolism makes it a polarizing, niche experience for some viewers.
| Cinematography | The film utilizes impeccable cinematography and editing to create a vivid, surreal aesthetic that feels like a fairy tale. | |
| Direction | Park Chan-wook successfully pivots from his trademark gritty violence to a tender, ironic, and life-affirming narrative. | |
| Acting | The film features distinct, imaginative characterizations that anchor its unconventional romantic plot. | |
| Theme | The narrative is saturated with dense, hieroglyphic symbolism; admirers find it a rewarding intellectual puzzle, while detractors feel it creates an opaque and elitist viewing experience. | |
| Originality | The film’s tone is highly subjective; some viewers embrace its whimsical and surrealist nature as a unique charm, while others find the eccentric cultural sensibilities and narrative style alienating. |