Trailers
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Description
The invasion of a village in Belarus by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.
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Key opinion
Elem Klimov's 'Come and See' is widely regarded as a visceral, uncompromising, and deeply traumatic anti-war masterpiece that eschews traditional romanticization for a raw, subjective experience of horror. While many praise its unparalleled psychological immersion and historical significance, some viewers find its intensity, surrealist elements, and stylized direction to be exploitative, incoherent, or emotionally manipulative.
| Acting | Aleksey Kravchenko’s wordless, expressive performance acts as the film’s moral and emotional anchor, grounding the viewer in the protagonist's descent into trauma. | |
| Direction | The film creates a uniquely immersive experience by blending gritty realism with surrealist imagery and an abrasive, oppressive soundscape that forces the viewer to confront the brutality of war. | |
| Emotion | The film’s unrelenting, brutal depiction of atrocities is perceived by some as a profound, necessary anti-war statement, while others dismiss it as gratuitous, manipulative, and unnecessarily traumatizing. | |
| Pacing | The deliberately slow, observational pacing and repetitive visual motifs succeed in capturing the exhaustion of war for supporters, whereas critics find them monotonous, incoherent, and prone to dragging. |