Trailers
Description
A young and talented architect comes to his senses after a horrific accident only to find himself in the odd dystopian world. A world that is filled with the memories of all current coma patients. Just like a human memory this world is fragmental, chaotic and unstable. This is COMA: icecaps, rivers and cities can all exist in a space of a single room and laws of physics are no longer laws as they can be bent.
Starring
Key opinion
Koma is a visually ambitious Russian science fiction film that earns praise for its imaginative world-building and high-quality CGI, which often rivals international genre standards. While viewers frequently debate the quality of the script and acting, the film is generally recommended as an engaging, atmospheric experience for fans of surreal sci-fi.
| Production | The film features visually striking, high-budget production design that successfully renders a surreal, fragmented world of memory shards and industrial architecture. | |
| Originality | The premise of a shared subconscious realm constructed from personal memories is highly original and provides a compelling, philosophically rich framework for the story. | |
| Screenplay | The screenplay is viewed through a polarized lens: some find the plot twists and narrative structure intelligent and non-trivial, while others criticize it for being thin, overstretched, or relying on forced exposition. | |
| Acting | Opinions on the cast are divided; while veteran actors like Konstantin Lavronenko receive praise, other performances are frequently criticized as under-trained, overacted, or lacking depth. | |
| Pacing | The pacing is a point of contention, with some viewers finding the narrative rhythm drags or repeats itself unnecessarily, while others feel it effectively maintains tension until the conclusion. | |
| Ending | The ending creates disagreement; some appreciate the subversive subversion of the 'chosen one' trope, while others feel the resolution lacks a strong, definitive climax. |