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Happy as Lazzaro
Happy as Lazzaro
Lazzaro felice
2018 ·128 min ·France, Germany, Italy, Switzerland ·PG-13 12+
7.9
IMDb 7.5 КП 7.3 RT 91% MC 87
Drama, Fantasy
Director: Alice Rohrwacher
Trailers Happy as Lazzaro
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Trailer EN
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Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world.

Adriano Tardiolo
Actor
Agnese Graziani
Actor
Alba Rohrwacher
Actor
🏆 European Film Awards 2018 — Student Award (EUFA)
🏆 Cannes Film Festival 2018 — Best Screenplay
🎬 European Film Awards 2019 — Audience Award
🎬 European Film Awards 2018 — Best Director
🎬 European Film Awards 2018 — Best Actress
🏆 Cannes Film Festival 2018 — Best Screenplay
🎬 Cannes Film Festival 2018 — Palme d'Or
🎬 European Film Awards 2018 — Best Screenplay

Lazzaro Felice is a poignant, allegorical fairy tale that blends magical realism with social critique to explore the nature of goodness in a changing world. While many celebrate its lyrical, visually stunning homage to Italian classicism, some viewers find the slow pacing and the protagonist's extreme passivity to be distancing or frustrating.

Acting Adriano Tardiolo’s performance is a cornerstone of the film, anchoring the story with a grounded, non-verbal simplicity that perfectly embodies the titular character's innocence.
Cinematography The cinematography employs a rich, film-based aesthetic that masterfully contrasts the warm, pastoral tones of the feudal village with the cold, alienating palette of the modern urban environment.
Screenplay Alice Rohrwacher’s screenplay effectively weaves biblical parallels with modern social themes, creating a thought-provoking parable about exploitation and human dignity.
Pacing The film's pacing is a subject of debate, with some viewers finding the deliberate, contemplative tempo immersive while others feel it creates a disconnect, particularly during the transition between the two halves.
Theme The characterization of Lazzaro’s extreme, unthinking goodness is divisive; some interpret his passivity as a profound, holy martyrdom, while others criticize it as an unrealistic lack of agency that makes his fate feel unearned or absurd.
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