Trailers
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Description
Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
Starring
Awards
Key opinion
Midsommar is a polarizing work of atmospheric horror that divides audiences between those who find its bright, slow-burning aesthetic uniquely unsettling and those who see it as an incoherent, overlong exercise in style over substance. While the film is widely praised for its striking visual craftsmanship and subversion of genre tropes, critics and viewers frequently clash over the thin character development and the perceived pretension of its narrative.
| Cinematography | The film masterfully subverts horror expectations by replacing traditional darkness and jump scares with a disorienting, bright, and atmospheric aesthetic. | |
| Acting | Florence Pugh delivers a compelling, nuanced performance that effectively anchors the film's focus on trauma and emotional turmoil. | |
| Screenplay | The script suffers from clunky, repetitive dialogue and excessive exposition that often undermines the subtlety of its visual storytelling. | |
| Runtime | The film's ambitious two-and-a-half-hour runtime rewards viewers who engage with its deliberate, hypnotic pace, while others find the experience tedious and exhausting. | |
| Screenplay | Character development is largely criticized, with many finding the protagonists to be unconvincing, passive, or entirely lacking in logical agency. |