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Monsters
Monsters
2010 ·94 min ·United Kingdom ·R 18+
6.5
IMDb 6.3 КП 5.9 RT 75% MC 63
Drama, Thriller, Science Fiction
Director: Gareth Edwards
Trailers Monsters
Trailer EN
Trailer EN
Trailer EN
EN

Six years ago NASA discovered the possibility of alien life within our solar system. A probe was launched to collect samples, but crashed upon re-entry over Central America. Soon after, new life forms began to appear and half of Mexico was quarantined as an infected zone. Today, the American and Mexican military still struggle to contain "the creatures," while a journalist agrees to escort a shaken tourist through the infected zone in Mexico to the safety of the U.S. border.

Budget: $500,000
US Gross: $237,301
Worldwide: $5.64M
Scoot McNairy
Actor
Whitney Able
Actor
Mario Zuniga Benavides
Actor
🏆 Saturn Awards 2011 — Best International Feature Film
🎬 BAFTA 2011 — Best Debut (Screenplay, Direction or Production)

Monsters is a divisive micro-budget debut that prioritizes atmosphere and character-driven road-movie tropes over the spectacle suggested by its title. While some viewers admire its realistic, auteurist approach and successful world-building, others are frustrated by its slow pace, lackluster dialogue, and the bait-and-switch nature of its marketing.

Production Gareth Edwards effectively utilizes a minimal budget to create a realistic, atmospheric sense of dread that relies more on setting than traditional CGI spectacle.
Acting The lead actors, Scoot McNairy and Whitney Able, deliver authentic chemistry that grounds the film’s central romantic narrative.
Originality The film's marketing creates misleading expectations, with many viewers feeling cheated by the lack of monster-driven action promised by the trailers.
Screenplay The script is widely criticized for containing banal or dull dialogue that weakens the emotional stakes of the journey.
Pacing Opinions on pacing are deeply divided; some find the meditative, slow-burn tempo immersive and refreshing, while others find it boring and lacking in necessary narrative momentum.
Ending The ending remains a point of contention; some appreciate the open-ended, non-Hollywood ambiguity, while others find the lack of resolution unsatisfying.
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