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Pierrot le Fou
Pierrot le Fou
Pierrot le fou
1965 ·110 min ·France, Italy ·PG-13 16+
7.7
IMDb 7.4 КП 7.6 RT 88%
Drama, Romance, Crime
Director: Jean-Luc Godard
🎭 Based on «Obsession» byLionel White
Trailers Pierrot le Fou
Trailer EN
EN

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

Budget: $300,000
US Gross: $87,011
Jean-Paul Belmondo
Actor
Anna Karina
Actor
Graziella Galvani
Actor
🎬 Venice Film Festival 1965 — Golden Lion
🎬 BAFTA 1967 — Best International Actor

Pierrot le fou is widely regarded as a visually arresting and innovative cornerstone of the French New Wave that utilizes a striking color palette and meta-cinematic techniques to explore themes of love, alienation, and social critique. While admirers celebrate its poetic spontaneity and intellectual depth, critics find its rejection of traditional narrative logic and its surreal, absurdist style to be alienating or aimless.

Cinematography The film utilizes a vibrant, deliberate red-and-blue color palette that serves as a powerful visual motif for both aesthetic immersion and thematic commentary.
Acting The lead performances by Jean-Paul Belmondo and Anna Karina provide a magnetic, complementary chemistry that anchors the film's chaotic and unconventional narrative.
Screenplay The narrative's experimental structure and intentional lack of linear logic alienate viewers seeking conventional storytelling, while rewarding those who appreciate its abstract, avant-garde approach.
Pacing The unconventional pacing and stylistic choices are praised by some as revolutionary and hypnotic, while others find the rhythm dragging and the narrative disjointed.
Theme The film's heavy reliance on intellectual puzzles and meta-textual irony is seen by some as a profound exploration of modern existence, whereas others perceive it as emotionally detached or pretentious.
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