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RoboCop 2
RoboCop 2
1990 ·117 min ·United States of America ·R 18+
5.6
IMDb 5.8 КП 6.8 RT 31% MC 42
Action, Science Fiction, Thriller
Director: Irvin Kershner
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After a successful deployment of the RoboCop Law Enforcement unit, OCP sees its goal of urban pacification come closer and closer, but as this develops, a new narcotic known as "Nuke" invades the streets led by God-delirious leader Cane. As this menace grows, it may prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up with failed prototypes with suicidal issues... until Dr. Faxx, a scientist straying away from OCP's path, uses Cane as the new subject for the RoboCop 2 project, a living God.

Budget: $35M
US Gross: $45.68M
Worldwide: $45.68M
Peter Weller
Actor
Nancy Allen
Actor
Belinda Bauer
Actor
🎬 Saturn Awards 1991 — Best Visual Effects
🎬 Saturn Awards 1991 — Best Science Fiction Film
🎬 Saturn Awards 1991 — Best Young Performer

RoboCop 2 is a polarizing sequel that succeeds in expanding the scale, action, and production design of the original, but often struggles to replicate its predecessor's satirical wit and narrative cohesion. Opinions remain sharply divided on whether the film is a worthy successor or a disjointed, tonally inconsistent step down.

Acting Peter Weller delivers a strong, committed performance that effectively anchors the character of Alex Murphy despite the physical limitations of the suit.
Production The film excels as a spectacle, delivering more ambitious action sequences, larger-scale set pieces, and impressive, albeit dated, stop-motion visual effects.
Screenplay The screenplay is viewed as unfocused and disjointed; while some appreciate the complex corporate and criminal plotting, others find the narrative progression erratic and lacking in emotional depth.
Direction The directorial shift from Verhoeven to Kershner yields divisive results, with some praising the expanded world-building and intensity, while others criticize the loss of the original's biting satirical edge.
Pacing The film's pacing is a point of contention, with the first two acts being praised for their narrative drive, while the final act is frequently criticized for losing momentum and cohesion.
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