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Sabrina
1995 127 min Germany, United States of America PG 18+
★6.8
Romance, Drama, Comedy
Director: Sydney Pollack
Trailers
EN
EN
Description
After her return from school in Paris, a playboy finally takes notice of his family's chauffeur's daughter Sabrina, who's long had a crush on him, but he questions his more serious brother's motives when he warns against getting involved with her.
Budget:
$58M
US Gross:
$53.67M
Worldwide:
$53.67M
Starring
Harrison Ford
Actor
Julia Ormond
Actor
Greg Kinnear
Actor
Awards
Academy Awards 1996
— Best Original Song
Golden Globe 1996
— Best Picture (Comedy or Musical)
Golden Globe 1996
— Best Actor (Comedy or Musical)
Golden Globe 1996
— Best Original Song
Academy Awards 1996
— Best Score for a Comedy or Musical
Key opinion
The 1995 remake of Sabrina is widely regarded as a visually lush, fairy-tale-inspired romance that manages to charm audiences through its elegant production design and sincere emotional tone. However, the film is deeply divisive; critics and viewers frequently compare it unfavorably to the 1954 original, with opinions split on whether the updated performances and narrative choices are a refreshing modernization or an unnecessary imitation.
| Production | The film features high-quality production design and cinematography that effectively create a dreamlike, sophisticated atmosphere. | |
| Score | John Williams' score provides a magical, hypnotic musical foundation that enhances the film's romantic tone. | |
| Acting | The performance of Harrison Ford is polarizing; some find him a solid, compelling lead, while others argue he is miscast and lacks chemistry with the romantic material. | |
| Acting | Julia Ormond’s portrayal of the title character is a major point of contention, with some praising her subtle, grounded realism and others finding her performance flat or aging compared to the original. | |
| Adaptation | The film’s status as a remake creates a divide: admirers appreciate the modernization and clarity of plot, while detractors view it as an inferior, redundant imitation of the Audrey Hepburn classic. | |
| Pacing | The narrative's pacing and tone split audiences between those who enjoy the slow, lyrical, and fairy-tale-like rhythm and those who find the story naive, repetitive, or dull. |