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Scott Pilgrim vs. the World
Scott Pilgrim vs. the World
2010 ·113 min ·Japan, United Kingdom, United States of America ·PG-13 16+
7.6
IMDb 7.5 КП 7.3 RT 83% MC 69
Action, Comedy, Romance
Director: Edgar Wright
📖 Based on the novel «Scott Pilgrim» byBryan Lee O'Malley
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As bass guitarist for a garage-rock band, Scott Pilgrim has never had trouble getting a girlfriend; usually, the problem is getting rid of them. But when Ramona Flowers skates into his heart, he finds she has the most troublesome baggage of all: an army of ex-boyfriends who will stop at nothing to eliminate him from her list of suitors.

Budget: $73M
US Gross: $33.53M
Worldwide: $51.83M
Michael Cera
Actor
Mary Elizabeth Winstead
Actor
Kieran Culkin
Actor
🎬 Saturn Awards 2011 — Best Fantasy Film

Scott Pilgrim vs. the World is a highly energetic, visually inventive adaptation that blends comic book and video game aesthetics into a unique cinematic experience. While its hyper-stylized direction and soundtrack earn widespread praise, the film's appeal is polarized by its niche, youth-oriented tone and unconventional narrative structure.

Production The film’s innovative visual style, which integrates comic book motifs and video game UI elements, creates an immersive and unprecedented aesthetic.
Score The garage-rock soundtrack effectively elevates the energy and tone of the action sequences.
Acting Kieran Culkin delivers a standout comedic performance that provides much of the film's wit and levity.
Direction Edgar Wright’s fast-paced direction successfully synthesizes disparate influences like anime, fighting games, and comics into a cohesive spectacle.
Screenplay The narrative is divisive; some viewers find the plot clear and engaging, while others view it as a shallow or convoluted excuse for repetitive action scenes.
Acting The lead performance by Michael Cera splits opinion, ranging from endearing and perfectly cast to uncharismatic and awkward.
Accessibility The film’s accessibility is polarizing, as its heavy reliance on specific youth-culture tropes and demographic-targeted humor either creates a cult-classic experience or alienates older viewers.
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