← Back to results
Snowpiercer
Snowpiercer
설국열차
2013 ·127 min ·South Korea ·R 18+
7.6
IMDb 7.1 КП 6.8 RT 94% MC 84
Action, Science Fiction, Drama
Director: Bong Joon Ho
📖 Based on the novel «Le Transperceneige» byBenjamin Legrand
Trailers Snowpiercer
Trailer EN
Trailer EN
Trailer EN
Teaser Teaser
Teaser Teaser
Teaser Teaser

In a future where a failed global-warming experiment kills off most life on the planet, a class system evolves aboard the Snowpiercer; a train that travels around the globe via a perpetual-motion engine.

Budget: $39.2M
US Gross: $4.56M
Worldwide: $86.76M
Chris Evans
Actor
Jamie Bell
Actor
Tilda Swinton
Actor
🎬 Asian Film Academy 2014 — Best Production Design
🎬 Asian Film Academy 2014 — Best Picture
🎬 Asian Film Academy 2014 — Best Costume Design
🎬 Asian Film Academy 2014 — Best Screenplay
🎬 Saturn Awards 2015 — Best Action/Adventure Film
🎬 Asian Film Academy 2014 — Best Director

Snowpiercer is widely regarded as a bold, visually striking anti-utopian allegory that uses its confined train setting to explore class warfare and systemic oppression. While audiences and critics largely admire the film's audacity and strong performances, there is significant disagreement regarding its narrative logic and the effectiveness of its symbolic conclusion.

Acting Chris Evans delivers a career-defining performance that grounds the film's emotional intensity.
Production Bong Joon-ho succeeds in creating a claustrophobic, imaginative production design that serves as a visceral metaphor for social hierarchy.
Theme The film’s thematic depth effectively uses the train as a powerful, albeit heavy-handed, allegory for stagnant capitalism and class disparity.
Pacing The progression from carriage to carriage creates a unique, game-like structure that keeps the narrative momentum driving forward.
Screenplay Opinions on the film's logic are divided: supporters view the surreal and absurd elements as intentional symbolic choices, while detractors find them to be frustrating narrative flaws that undermine the story's realism.
Ending The film's apocalyptic conclusion leaves viewers split, with some finding it a hopeful, necessary rupture of the cycle, while others dismiss it as an illogical or unsatisfying resolution to the class struggle.
Loading tags…
Settings
Interface language
Translation only
Movies translated into the selected language
Hide adult content
Movies rated 18+