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Suspiria
2018 152 min Italy, United States of America R 18+
★6.7
Horror, Mystery, Drama
Director: Luca Guadagnino
🎭 Based on
«Suspiria»
Trailers
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Teaser
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Description
A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
Budget:
$20M
US Gross:
$2.48M
Worldwide:
$7.95M
Starring
Chloë Grace Moretz
Actor
Tilda Swinton
Actor
Doris Hick
Actor
Awards
Venice Film Festival 2018
— Soundtrack Stars Award
Saturn Awards 2019
— Best Makeup and Hairstyling
Venice Film Festival 2018
— Golden Lion
Venice Film Festival 2018
— Blue Lion
Key opinion
Luca Guadagnino's 2018 interpretation of Suspiria polarizes audiences by trading the vibrant, supernatural style of the original for a grounded, bleak, and intellectually ambitious arthouse aesthetic. While the film earns significant praise for its technical craftsmanship, visceral violence, and Tilda Swinton's multi-layered performance, it is widely criticized for its excessive runtime and heavy-handed, often incoherent thematic density.
| Acting | Tilda Swinton anchors the film with a brilliant, versatile, and standout performance in multiple roles. | |
| Production | The film features meticulous production design and flawless, haunting cinematography that effectively crafts an unsettling, visceral atmosphere. | |
| Screenplay | The plot is frequently described as fragmented and overstuffed, with viewers struggling to reconcile its multiple, poorly integrated narrative threads. | |
| Runtime | The 152-minute runtime is a major point of contention; supporters appreciate the deliberate, contemplative pacing, while detractors find it exhausting and unnecessarily bloated. | |
| Theme | The film's high-minded philosophical ambitions—specifically the integration of German Autumn politics and witch lore—are viewed by many as pretentious and hollow rather than deeply profound. | |
| Acting | Opinions on Dakota Johnson's performance are divided; some critics find her interpretation flat or miscast, while others find her portrayal of the lead dancer adequate and fitting. |