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Description
Eun-ji is a idol trainee who gets abandoned by Jin-tae her sponsor, so she heads back down to her sister Sun-yeong's home. Her first love Joon-hwan is now her brother-in-law so he welcomes her but Sun-yeong treats her like a child and worries that Eun-ji might go down the same path she did when she gave up becoming an idol. Eun-ji and Sun-yeong quarrel often and Joon-hwan comforts Eun-ji every time. Eun-ji starts to depend on him and he also secretly tells her why he quit his job. One day, Sun-yeong goes on a business trip for a week but before she leaves she tells Eun-ji how sorry she is. They share a momemtum with two wooden dolls. All alone by the two of them at home, Eun-ji tries to embrace Joon-hwan's heart by showing him a scrap note she made of his articles. He is grateful for Eun-ji and starts to open up to her. The two of them cross a line that shoud never be crossed and as time goes, they fall deeper and deeper into each other.
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Awards
Key opinion
Valérie Donzelli's film is widely praised for its exceptional visual artistry and atmospheric, nature-infused aesthetic that elevates the adaptation of a historical script. While the narrative's unconventional approach to a taboo romance and its stylistic choices polarize general audiences, it remains a distinct, immersive experience for those who prioritize visual poetry over traditional plot progression.
| Cinematography | The cinematography utilizes a refined, harmonious composition that turns every frame into a self-contained, painting-like visual experience. | |
| Theme | Nature functions as a vital, active character, deeply influencing the mood and pivotal moments of the protagonists' journey. | |
| The film successfully brings a historical script—originally intended for François Truffaut—to life with a blend of modern and period-specific creative details. | ||
| Screenplay | The unconventional storytelling and lack of traditional moral grounding create a divide: some find the ambiguity profound, while others may feel it lacks easy narrative resolutions. | |
| Accessibility | The stylized, sometimes experimental narrative form is viewed by fans as a unique, immersive experience, but critics of the film's accessibility suggest it is 'not for everyone.' |