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The 15:17 to Paris
The 15:17 to Paris
2018 ·94 min ·United States of America ·PG-13 16+
5.0
IMDb 5.3 КП 5.7 RT 24% MC 45
Drama, Thriller
Director: Clint Eastwood
📖 Based on the novel «The 15:17 to Paris: The True Story of a Terrorist, a Train, and Three American Heroes» bySpencer Stone
Trailers The 15:17 to Paris
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Trailer EN
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On Aug. 21, 2015, the world watches in stunned silence as the media reports a thwarted terrorist attack on a train that's bound for Paris -- an attempt prevented by three young Americans traveling together through Europe. The heroic and courageous actions of Anthony Sadler, Alek Skarlatos and Spencer Stone help to save the lives of more than 500 passengers on board.

Budget: $30M
US Gross: $36.28M
Worldwide: $57.08M
Alek Skarlatos
Actor
Anthony Sadler
Actor
Spencer Stone
Actor
🏆1 win & 3 nominations total

The 15:17 to Paris receives a polarized reception, with many critics disappointed by the sparse narrative and non-professional acting, while some viewers appreciate its experimental, documentary-like honesty. The film is widely seen as a departure from traditional Hollywood thrillers, focusing heavily on biography over the central action sequence.

Acting The decision to cast the real-life participants results in performances that many find unpolished and lacking the nuance required for a dramatic feature.
Screenplay The screenplay prioritizes a biographical exploration of the protagonists' ordinary lives over the development of sustained narrative tension.
Originality The film is consistently described as a contemplative, non-traditional work that functions more like a docudrama than a conventional thriller.
Pacing The pacing is divisive; some viewers find the slow, reflective focus on the characters' backgrounds to be tedious and ineffective, while others appreciate the measured, documentary-style approach.
Emotion The brief, high-stakes train confrontation is widely considered the film's only significant moment of genuine dramatic tension, which is otherwise overshadowed by mundane filler.
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