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The Color of Money
The Color of Money
1986 ·119 min ·United States of America ·R 16+
7.9
IMDb 7.0 КП 7.3 RT 87% MC 77
Drama
Director: Martin Scorsese
🎭 Based on «The Color of Money» byWalter Tevis
Trailers The Color of Money

Former pool hustler "Fast Eddie" Felson decides he wants to return to the game by taking a pupil. He meets talented but green Vincent Lauria and proposes a partnership. As they tour pool halls, Eddie teaches Vincent the tricks of scamming, but he eventually grows frustrated with Vincent's showboat antics, leading to an argument and a falling-out. Eddie takes up playing again and soon crosses paths with Vincent as an opponent.

Budget: $13.8M
US Gross: $52.29M
Worldwide: $52.29M
Paul Newman
Actor
Tom Cruise
Actor
Mary Elizabeth Mastrantonio
Actor
🏆 Academy Awards 1987 — Best Actor
🎬 Academy Awards 1987 — Best Adapted Screenplay
🎬 Academy Awards 1987 — Best Production Design
🎬 Golden Globe 1987 — Best Actor (Drama)
🎬 Golden Globe 1987 — Best Supporting Actress
🎬 Academy Awards 1987 — Best Supporting Actress

The Color of Money is widely regarded as a compelling, well-acted character study that successfully explores the mentor-protégé dynamic between Paul Newman and Tom Cruise. While some critics view the screenplay and Scorsese’s direction as less ambitious than his other works, the film remains a high-quality sports drama anchored by strong performances and atmospheric cinematography.

Acting Paul Newman delivers a commanding, career-defining performance that serves as the film's essential emotional core.
Acting The onscreen chemistry between Newman and Cruise creates a magnetic tension that effectively carries the film's narrative.
Cinematography Cinematography expertly captures the moody, smoke-filled atmosphere of billiard halls through intricate, immersive tracking shots.
Screenplay Opinions on the screenplay are divided: some praise its sharp dialogue and character depth, while others find the plotting to be modest or uneven in its pacing.
Direction Views on Scorsese’s direction range from appreciation of his atmospheric competence to disappointment that the film lacks the grit and stylistic flair of his more iconic works.
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