Trailers
Description
When a devious plot separates CIA agent Peter Sandza from his son, Robin, the distraught father manages to see through the ruse. Taken because of his psychic abilities, Robin is being held by Ben Childress, who is studying people with supernatural powers in hopes of developing their talents as weapons. Soon Peter pairs up with Gillian, a teen who has telekinesis, to find and rescue Robin.
Starring
Awards
Key opinion
Brian De Palma's The Fury is a visually sophisticated thriller that balances an impressive, high-energy finale with a fragmented narrative structure. While critics and audiences admire the technical craft and strong performances, the film's inconsistent pacing and convoluted screenplay prevent it from achieving the same cohesive impact as his other genre works.
| Score | John Williams' sweeping, dynamic score provides a masterful sonic backdrop that elevates the film's intensity. | |
| Cinematography | The film features technically flawless and striking camerawork that exemplifies De Palma's distinct visual style. | |
| Acting | The central performances, particularly those of Kirk Douglas and Amy Irving, remain compelling and anchor the film's emotional stakes. | |
| Ending | The climactic final act delivers a shocking, memorable, and bold resolution that rewards the viewer's patience. | |
| Pacing | The film's mid-section suffers from sluggish pacing and exposition-heavy scenes that disrupt the narrative momentum. | |
| Screenplay | The screenplay is viewed as both a bold, innovative genre-blend and an incoherent narrative that struggles to maintain focus. |