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The Karate Kid
The Karate Kid
1984 ·127 min ·United States of America ·PG 16+
7.6
IMDb 7.3 КП 7.3 RT 81% MC 61
Action, Drama, Family
Director: John G. Avildsen
Trailers The Karate Kid
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New Jersey teen Daniel LaRusso moves to Los Angeles with his mother, and soon strikes up a relationship with Ali. He quickly finds himself the target of bullying by a group of thugs, led by Ali's ex-boyfriend Johnny, who study karate at the Cobra Kai dojo under ruthless sensei John Kreese. Fortunately, Daniel befriends Mr. Miyagi, an unassuming repairman who just happens to be a martial arts master himself. Miyagi takes Daniel under his wing, training him in a more compassionate form of karate for self-defense and, later, preparing him to compete against the brutal Cobra Kai.

Budget: $8M
US Gross: $91.08M
Worldwide: $91.14M
Ralph Macchio
Actor
Pat Morita
Actor
Elisabeth Shue
Actor
🎬 Academy Awards 1985 — Best Supporting Actor
🎬 Golden Globe 1985 — Best Supporting Actor

The Karate Kid is widely regarded as a quintessential 80s sports drama that succeeds through its heartfelt underdog narrative and memorable character dynamics. While some viewers find its formulaic plot and teenage tropes to be cliché or dated, most appreciate the film for its sincere performances and its enduring message of perseverance and mentorship.

Acting Pat Morita delivers an impeccable, Oscar-nominated performance that serves as the film's emotional anchor.
Acting Ralph Macchio and Elizabeth Shue provide strong, compelling performances that anchor the central coming-of-age narrative.
Originality The film utilizes a proven underdog formula that remains culturally resonant and emotionally effective, despite its simplicity.
Production The 80s aesthetic, bolstered by an iconic soundtrack, creates a nostalgic and authentic atmosphere for the viewer.
Screenplay Opinions on the screenplay are divided: some praise its brilliant simplicity and focus on inner growth, while others criticize it for relying on predictable clichés and a somewhat naive start.
Pacing The pacing is viewed differently by audiences, with some finding the slow buildup and contemplative training scenes rewarding, while others find the film exhausting or excessively long.
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