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The Lego Movie
The Lego Movie
2014 ·100 min ·United States of America, Denmark, Australia ·PG 0+
8.2
IMDb 7.7 КП 7.2 RT 96% MC 83
Animation, Family, Adventure, Comedy, Fantasy
Director: Phil Lord, Christopher Miller
🎭 Based on «Lego»
Trailers The Lego Movie
Trailer EN
Trailer EN
Trailer EN
Teaser Teaser
Teaser Teaser
Teaser Teaser

An ordinary Lego mini-figure, mistakenly thought to be the extraordinary MasterBuilder, is recruited to join a quest to stop an evil Lego tyrant from conquering the universe.

Budget: $60M
US Gross: $257.97M
Worldwide: $470.76M
Chris Pratt
Actor
Will Ferrell
Actor
Elizabeth Banks
Actor
🏆 BAFTA 2015 — Best Animated Feature
🏆 Saturn Awards 2015 — Best Animated Feature
🎬 Academy Awards 2015 — Best Original Song
🎬 Golden Globe 2015 — Best Animated Feature
🎬 Georges Awards 2015 — Best Animated Feature

The Lego Movie is widely celebrated for its creative animation style and surprising thematic depth, which resonates with both children and adults. While most critics praise its humor and heart, a minority of reviewers find the plot formulaic, the pacing chaotic, and the overall experience overly commercial.

Production The film utilizes a highly creative and visually distinct stop-motion-inspired aesthetic that successfully brings the plastic world to life.
Screenplay The screenplay successfully balances layered pop-culture references and philosophical themes with a family-friendly, emotionally resonant narrative.
Acting The characters, particularly Emmet and Batman, are well-defined and serve as compelling anchors for the film’s adventure.
Humor The film's humor creates a sharp divide: many find the dense, meme-literate jokes brilliant and refreshing, while others dismiss the dialogue as juvenile and reliant on weak puns.
Pacing Opinions on the pacing are split; some viewers enjoy the energetic, fast-paced nature of the film, whereas others feel the rapid scene shifts result in a bloated, chaotic narrative.
Originality The story structure generates disagreement, with some viewers finding it an original and clever subversion of the 'chosen one' trope, while others view it as a predictable, generic Hollywood product.
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