← Back to results
The Lobster
2015 119 min France, Greece, Ireland, Netherlands, United Kingdom R 18+
★7.7
Comedy, Drama, Romance
Director: Yorgos Lanthimos
Trailers
EN
EN
Teaser
Teaser
Teaser
EN
EN
EN
EN
EN
EN
EN
Description
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.
Budget:
$4M
US Gross:
$9.08M
Worldwide:
$15.7M
Starring
Colin Farrell
Actor
Rachel Weisz
Actor
Jessica Barden
Actor
Awards
European Film Awards 2015
— Best Screenplay
Cannes Film Festival 2015
— Jury Prize
Cannes Film Festival 2015
— Queer Palm – Special Mention
European Film Awards 2015
— Best Actor
European Film Awards 2015
— Best Picture
Academy Awards 2017
— Best Screenplay
Golden Globe 2017
— Best Actor (Comedy or Musical)
Cannes Film Festival 2015
— Jury Prize
Cannes Film Festival 2015
— Queer Palm – Special Mention
Cannes Film Festival 2015
— Palm Dog Award – Jury Prize
Cannes Film Festival 2015
— Palme d'Or
European Film Awards 2015
— Best Costume Design
European Film Awards 2015
— Best Director
BAFTA 2016
— Alexander Korda Award for Outstanding British Film
Key opinion
The Lobster is a polarizing, absurdist dystopian satire that utilizes a rigid, emotionless aesthetic to critique modern social expectations regarding relationships. While many critics praise its sharp originality and thematic ambition, others find the clinical pacing and lack of traditional emotional warmth to be alienating.
| Originality | The film features a highly original and thought-provoking dystopian premise that effectively satirizes societal pressures to conform to romantic norms. | |
| Production | The cinematography and production design create a striking, stark aesthetic that perfectly complements the film's cold and clinical atmosphere. | |
| Acting | Performances are marked by a deliberate, emotionless, and straight-faced delivery that serves the director's surreal vision. | |
| Pacing | The film's pacing is a subject of disagreement: some find the contemplative, slow tempo essential to building its unique world, while others find it exhausting and depressing. | |
| Screenplay | The screenplay is divisive; while many admire its intellectual, witty critique of social structures, others argue it relies on cold, unnatural dialogue that hinders genuine emotional engagement. |