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The Man from U.N.C.L.E.
The Man from U.N.C.L.E.
2015 ·116 min ·United States of America ·PG-13 12+
7.1
IMDb 7.2 КП 7.6 RT 68% MC 56
Comedy, Action, Adventure
Director: Guy Ritchie
🎭 Based on «The Man from U.N.C.L.E.»
Trailers The Man from U.N.C.L.E.
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At the height of the Cold War, a mysterious criminal organization plans to use nuclear weapons and technology to upset the fragile balance of power between the United States and Soviet Union. CIA agent Napoleon Solo and KGB agent Illya Kuryakin are forced to put aside their hostilities and work together to stop the evildoers in their tracks. The duo's only lead is the daughter of a missing German scientist, whom they must find soon to prevent a global catastrophe.

Budget: $75M
US Gross: $45.45M
Worldwide: $110.05M
Henry Cavill
Actor
Armie Hammer
Actor
Alicia Vikander
Actor
🎬 Georges Awards 2016 — Best Foreign Action Film
🎬 Georges Awards 2016 — Best Foreign-Language Comedy

The Man from U.N.C.L.E. is generally regarded as a stylish and entertaining espionage caper that excels in its 1960s aesthetic and musical score. While the chemistry between the lead actors is a highlight for most, opinions on the screenplay's narrative depth and Ritchie's signature direction remain polarized.

Production The production design and costumes meticulously recreate a vibrant, authentic 1960s Cold War atmosphere.
Score Daniel Pemberton's Morricone-inspired score is a standout element that effectively elevates the film's tone.
Acting The dynamic between Henry Cavill and Armie Hammer provides a refreshing, charming camaraderie that drives the film's comedic beats.
Screenplay The screenplay is viewed by some as a clever, witty homage to the genre, while others dismiss it as derivative, clichéd, or lacking in narrative substance.
Direction Ritchie's direction is praised for its signature style and energy, yet critics argue it feels restrained or uncharacteristically flat compared to his earlier work.
Editing The technical execution of the action sequences splits opinion, with some praising the choreography and others finding the visuals shaky or artificially polished.
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