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The Thin Red Line
The Thin Red Line
1998 ·171 min ·United States of America ·R 18+
7.9
IMDb 7.6 КП 7.4 RT 80% MC 78
Drama, History, War
Director: Terrence Malick
📖 Based on the novel «The Thin Red Line» byJames Jones
Trailers The Thin Red Line

The story of a group of men, an Army Rifle company called C-for-Charlie, who change, suffer, and ultimately make essential discoveries about themselves during the fierce World War II battle of Guadalcanal. It follows their journey, from the surprise of an unopposed landing, through the bloody and exhausting battles that follow, to the ultimate departure of those who survived.

Budget: $52M
US Gross: $36.4M
Worldwide: $98.13M
Jim Caviezel
Actor
Sean Penn
Actor
Nick Nolte
Actor
🏆 Berlin International Film Festival 1999 — Honorable Mention
🏆 Berlin International Film Festival 1999 — Golden Bear
🏆 Berlin International Film Festival 1999 — Berliner Morgenpost Prize
🎬 César Awards 2000 — Best International Feature Film
🎬 Academy Awards 1999 — Best Picture
🏆 Berlin International Film Festival 1999 — Berliner Morgenpost Prize
🎬 Academy Awards 1999 — Best Cinematography
🎬 Academy Awards 1999 — Best Film Editing
🎬 Academy Awards 1999 — Best Director
🎬 Academy Awards 1999 — Best Adapted Screenplay
🎬 Academy Awards 1999 — Best Sound

The Thin Red Line is widely regarded as a deeply contemplative and visually stunning meditation on war that diverges significantly from conventional action-oriented cinema. While many critics praise its philosophical ambition and technical mastery, viewers are polarized by its meditative pacing and the perceived disconnect between the abstract voiceovers and the narrative structure.

Cinematography John Toll’s cinematography masterfully contrasts the brutal carnage of battle with the serene, haunting beauty of the natural world.
Score Hans Zimmer’s score provides an integral, evocative layer that successfully captures the spiritual and tragic themes of the soldiers' experiences.
Acting The ensemble cast features strong performances, though the film's fragmented structure results in many high-profile actors having limited screen time.
Runtime The nearly three-hour runtime rewards viewers who embrace its slow, philosophical tempo, but others find the lack of traditional narrative drive exhausting and dull.
Screenplay The use of internal monologues and philosophical voiceovers is seen by some as profound and dreamlike, while others dismiss them as pretentious and disconnected from the plot.
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