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The Warriors
1979 94 min United States of America R 16+
★7.6
Action, Thriller
Director: Walter Hill
🎭 Based on
«The Warriors»
bySol Yurick
Trailers
EN
EN
EN
EN
Description
Prominent gang leader Cyrus calls a meeting of New York's gangs to set aside their turf wars and take over the city. At the meeting, a rival leader kills Cyrus, but a Coney Island gang called the Warriors is wrongly blamed for Cyrus' death. Before you know it, the cops and every gangbanger in town is hot on the Warriors' trail.
Budget:
$4M
US Gross:
$22.49M
Worldwide:
$22.49M
Starring
Michael Beck
Actor
James Remar
Actor
Dorsey Wright
Actor
Key opinion
Walter Hill’s The Warriors is widely celebrated as a stylized, atmospheric cult classic that transforms a gritty New York gang narrative into a modern retelling of the Anabasis. While praised for its unique visual aesthetic and rhythmic tension, opinions regarding the screenplay and pacing are divided between those who value its kinetic minimalism and those who find the narrative thin or repetitive.
| Production | The film’s distinct visual style, characterized by neon-lit night cityscapes and comic-book-inspired aesthetic, creates an iconic and immersive atmosphere. | |
| Adaptation | The adaptation effectively reimagines Xenophon’s Anabasis through a street-gang lens, maintaining a faithful epic structure that elevates the story beyond mere juvenile rebellion. | |
| Direction | The choreography of the gang fights avoids gratuitous realism in favor of a rhythmic, dance-like quality that defines the film's unique kinetic energy. | |
| Score | The score is widely considered a fitting, quintessential component of the film’s tense and nocturnal urban vibe. | |
| Acting | Performances are viewed as competent and grounded; they avoid star-driven overshadowing, which adds to the film's gritty, authentic street-level feel. | |
| Pacing | The pacing divides viewers: some appreciate the relentless, propulsive momentum of the gauntlet run, while others feel the narrative becomes monotonous or sluggish during the middle acts. | |
| Screenplay | Opinions on the screenplay are mixed, with some finding the dialogue iconic and sparse, while others critique it as simplistic, abrupt, or lacking in deeper ideological substance. |