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Transformers: The Last Knight
2017 154 min United States of America PG-13 12+
★4.7
Action, Adventure, Science Fiction
Director: Michael Bay
🎭 Based on
«Transformers»
Trailers
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EN
EN
EN
Teaser
Teaser
Teaser
EN
EN
Description
Humans and Transformers are at war. Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Saving our world falls upon the shoulders of an unlikely alliance: Cade Yeager; Bumblebee; an English Lord; and an Oxford Professor.
Budget:
$217M
US Gross:
$130.17M
Worldwide:
$605.43M
Starring
Mark Wahlberg
Actor
Anthony Hopkins
Actor
Josh Duhamel
Actor
Awards
Razzie Awards 2018
— Worst Supporting Actress
Razzie Awards 2018
— Worst Director
Razzie Awards 2018
— Worst Picture
Razzie Awards 2018
— Worst Screenplay
Razzie Awards 2018
— Worst Actor
Razzie Awards 2018
— Worst Sequel, Remake or Ripoff
Razzie Awards 2018
— Worst Screen Ensemble
Razzie Awards 2018
— Worst Supporting Actor
Key opinion
Transformers: The Last Knight is widely viewed as a chaotic, narrative-thin spectacle that marks a creative decline for the franchise. While some viewers appreciate the high-budget visual effects, the consensus faults the film for its nonsensical plot, jarring tone, and excessive runtime.
| Cinematography | The film relies heavily on high-end visual effects and technical spectacle to maintain interest, with many noting that without these, the movie would be unwatchable. | |
| Screenplay | The plot is widely criticized for being nonsensical, incomprehensible, and bloated with disjointed subplots that lack narrative cohesion. | |
| Humor | The film's humor is frequently panned as crude, unfunny, and tonally inappropriate for a blockbuster of this nature. | |
| Runtime | The 150-minute runtime is viewed as excessive, with many feeling the film lacks enough substantial content to justify its length. | |
| Acting | Performances are divisive: some find the cast, particularly Anthony Hopkins and Mark Wahlberg, to be a highlight of the series, while others find their inclusion baffling, miscast, or embarrassing. | |
| Direction | Action sequences divide audiences; some praise the dynamic scale of the spectacle, while others argue the combat lacks weight, clarity, and the destructive impact of previous entries. |