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Unlawful Entry
Unlawful Entry
1992 ·112 min ·Japan, United States of America ·R 18+
6.7
IMDb 6.4 КП 7.0 RT 75% MC 61
Thriller, Mystery
Director: Jonathan Kaplan
Trailers Unlawful Entry
Trailer EN
Trailer EN

Happily married Michael and Karen Carr call the police after Karen is held at knife point during a failed robbery attempt in their home. Before long, one of the responding officers, Officer Pete Davis, helps arrange the installation of a new security system, taking extra interest in the couple's case. As a result, the grateful Carrs invite him to stay for dinner and they strike up an unexpected friendship. However, as the lonely policeman develops an intense fixation on Karen, his take on friendship develops into a dangerous obsession soon becoming the Carrs' worst nightmare.

Budget: $23M
US Gross: $57.14M
Worldwide: $57.14M
Kurt Russell
Actor
Ray Liotta
Actor
Madeleine Stowe
Actor
🎬 MTV Movie & TV Awards 1993 — Best Villain

Unlawful Entry is widely regarded as a classic, tightly-wound psychological thriller of the 90s, anchored by a visceral, standout performance from Ray Liotta. While the plot is often described as predictable, its effective execution and escalating tension keep viewers engaged, even if the director's style is considered purely functional.

Acting Ray Liotta delivers a masterfully terrifying and charismatic performance as the psychopathic police officer that anchors the entire film.
Emotion The film maintains a relentless sense of suspense and psychological tension throughout its duration.
Originality The narrative is described as a classic, well-executed psychological thriller, though its plot beats and twists are highly predictable.
Direction While praised for its premise, the director's work is seen as strictly functional, lacking a distinct artistic signature or original stylistic approach.
Acting Opinions on the lead male performances are divided: while Liotta is universally praised, some viewers feel Kurt Russell’s performance is somewhat subdued or less memorable compared to his co-star.
Ending The film's resolution is a point of contention, with some viewers finding the distribution of justice and consequences between the husband and wife characters to be uneven or unsatisfying.
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