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The Stolen Princess
The Stolen Princess
Викрадена принцеса: Руслан і Людмила
2018 ·85 min ·Ukraine · 6+
6.6
IMDb 6.0 КП 6.9
Animation, Comedy, Adventure, Family
Director: Oleh Malamuzh
🎭 Based on «Ruslan and Ludmila» byAlexander Pushkin
Trailers The Stolen Princess
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This wonderful story happened in the age of valiant knights, beautiful princesses, and battling sorcerers. Ruslan, a wandering artist dreaming to become a knight, met beautiful Mila and fell in love with her; he didn’t even suspect that she is the King’s daughter. However, the lovers’ happiness wasn’t meant to last too long. Chernomor, the evil sorcerer, appeared in a magic vortex and stole Mila right before Ruslan’s eyes to transform her power of love into his own magic power. Without further ado, Ruslan sets out on a chase after the stolen princess to overcome all obstacles and to prove that real love is stronger than magic.

Worldwide: $6.91M
Nadezhda Dorofeeva
Actor
Aleksey Zavgorodniy
Actor
Yevhen Malukha
Actor
🏆1 win & 1 nomination total

The Stolen Princess is widely recognized as a significant technical achievement for Ukrainian animation, offering high-quality visuals that rival international standards. However, the film receives polarized feedback regarding its script, with many critics dismissing the plot as a derivative mash-up of Disney tropes that strays too far from its Pushkin roots.

Production The animation quality, particularly in lighting, textures, and environmental effects, successfully reaches a professional, studio-level standard.
Originality The film functions as a collage of familiar narrative archetypes, heavily borrowing from the structure and character dynamics of popular Western animated features.
Adaptation The script is viewed as a loose and often jarring modernization that abandons the spirit and character archetypes of the original Pushkin poem.
Acting The voice acting is widely praised for its high energy and professionalism, particularly in the original Ukrainian cast.
Humor Opinions on the humor are divided; some audiences enjoy the lighthearted, clean situational gags, while others find the punchlines weak and overly reliant on slang.
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