Trailers
Description
March 1965. In the heat of the Cold War, the USA and the USSR are competing for supremacy in space. What both superpowers aim for in this race, is to be the first to have a man walk in outer space. To accomplish that, no price is too high and no risk is too great. Now it’s up to the unlikely duo of a seasoned war veteran and a hot-headed test-pilot to fulfill this mission. Two men in a tiny spaceship, without proper testing, facing the complete unknown. They were supposed to do what no man has done before—and no man imagined what would happen next.
Starring
Awards
Key opinion
The Spacewalk (Vremya pervykh) is widely regarded as a significant achievement for modern Russian cinema, successfully balancing historical patriotism with intense space-race tension. While the film is praised for its visual effects, authentic portrayals of Soviet heroism, and strong lead performances, some critics note an uneven narrative structure resulting from a mid-production directorial change.
| Acting | Khabensky and Mironov deliver compelling, emotionally resonant performances that ground the film's historical stakes. | |
| Cinematography | The cinematography and visual effects are frequently compared favorably to Hollywood standards like Gravity, particularly during the immersive spacewalk sequences. | |
| Theme | The film effectively depicts the high-stakes conflict between Soviet administrative pressure and the engineers' commitment to human life. | |
| Screenplay | The film feels tonally inconsistent, with some viewers praising its heroic emotional weight while others find the dialogue and melodic choices clichéd or overly stylized. | |
| Direction | The film suffers from a noticeable shift in quality and style between the Earth-bound scenes and the space-based sequences, attributed to the replacement of the original director. | |
| Pacing | Opinions vary on the pacing, with some finding the first half too hurried or schematic, while others appreciate the tight, relentless tension of the final mission. |