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Очи
The Legend of Ochi
2025 95 мин United States of America, Finland PG 12+
★6,4
Family, Fantasy, Adventure
Режиссёр: Isaiah Saxon
Трейлеры
Описание
Девочка Юри родилась на гористом острове посреди океана. В здешних дремучих лесах водится много диких зверей, но самыми опасными считаются загадочные существа очи. Одни думают, что это лишь сказка для детей, другие считают их враждебными созданиями. Однажды Юри находит в лесу потерявшегося детеныша очи и решает вернуть его родителям.
Бюджет:
$10M
Сборы (США):
$2,48M
Сборы (мир):
$4,87M
В главных ролях
Helena Zengel
Actor
Willem Dafoe
Actor
Emily Watson
Actor
Награды
4 nominations total
Ключевое мнение
The Legend of Ochi is a visually ambitious and handcrafted fantasy adventure that excels in its world-building and aesthetic texture. However, it is fundamentally divided by its thin narrative structure, with many finding the storytelling too aimless to support its grand stylistic aspirations.
| Съёмка | The film features stunning, immersive cinematography that utilizes practical effects, matte paintings, and distinct color design to create a unique fairy-tale atmosphere. | |
| Музыка | The musical score by David Longstreth is a standout element, effectively elevating the film's tone with grandiose, emotive strings. | |
| Декорации | The creature design of the Ochi effectively integrates practical puppetry and animation, creating a compelling, iconic, and tactile presence on screen. | |
| Актёрская игра | Helena Zengel delivers a confident and anchoring performance as the protagonist that carries the film through its less compelling moments. | |
| Сценарий | The screenplay is viewed by some as an evocative, humanist exploration of nature, while others criticize its shallow logic, lack of stakes, and underdeveloped character arcs. | |
| Режиссура | The direction is polarizing, with some praising the unique, hypnotic auteur vision and others finding the pacing disjointed and lacking the cohesive narrative mastery of its cinematic inspirations. | |
| Темп | While some viewers find the film’s meditative and visual-first approach deeply moving, others find the lack of resolution and slow tempo to be frustrating and exhausting. |